Mihaly Munkacsy
1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.
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Mihaly Munkacsy Ecce Homo oil painting


Ecce Homo
1895-96 Deri Museum, Debrecen
Painting ID::  2801 		Mihaly Munkacsy
Ecce Homo
1895-96 Deri Museum, Debrecen
   
   
     
Mihaly Munkacsy Christ before Pilate oil painting


Christ before Pilate
ca 1881 2' 11'' x 3' 9 3/4''(89 x 116 cm)
Painting ID::  11868 		Mihaly Munkacsy
Christ before Pilate
ca 1881 2' 11'' x 3' 9 3/4''(89 x 116 cm)
   
   
     
Mihaly Munkacsy christ before pilate oil painting


christ before pilate
mk247 1881,oil on canvas,164x250 in,417x636 cm,deri museum,debrecen,hungary
Painting ID::  56942 		Mihaly Munkacsy
christ before pilate
mk247 1881,oil on canvas,164x250 in,417x636 cm,deri museum,debrecen,hungary
   
   
     
Mihaly Munkacsy Christ in front of Pilate oil painting


Christ in front of Pilate
Christ in front of Pilate, 1881. Oil on canvas, 417 X 636 cm. Deri Museum, Debrecen (loan till 2007, now in Canada).
Painting ID::  72248 		Mihaly Munkacsy
Christ in front of Pilate
Christ in front of Pilate, 1881. Oil on canvas, 417 X 636 cm. Deri Museum, Debrecen (loan till 2007, now in Canada).
   
   
     
Mihaly Munkacsy Paradise Lost oil painting


Paradise Lost
Date ca. 1899(1899) Medium Oil on panel Dimensions 61 X 49.2 cm (24.02 X 19.37 in) cyf
Painting ID::  72972 		Mihaly Munkacsy
Paradise Lost
Date ca. 1899(1899) Medium Oil on panel Dimensions 61 X 49.2 cm (24.02 X 19.37 in) cyf
   
   
     
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     Mihaly Munkacsy
     1844-1900 Hungarian Mihaly Munkacsy Locations Munkacsy started to paint during the years he spent in Arad as a joiner. With the help of partons be studied at the Viennese, Munich and Dusseldorf academies. Munkacsy painted his first major work, the outstanding "The Condemned Cell" in D??sseldorf, in 1872, together with his friend Laszlo Paal, he moved to Paris, where be lived until the end of his life. Munkacsy painted his genres in the style of realism between 1873 and 1875: "Midnight Ramblers", "Farewell". "Churning Woman", "Woman Carryng Brushwood", and "Pawnshop" were the zenith of his career. He married the widow of Baron de Marches in 1874, and his style changed from that time on. Departing from the typical subjects of realism, be produced colourful salon paintings and still-lifes. This was the period when be also turned to ladscape painting; his growing interest is marked by such great paintings as "Dusty Road". "Corn Field", and "Walking in the Woods". The assimilation of Laszlo Paal's style is apparent in the landscapes painted during the 1880s, such as "Avenue" and "The Colpach Park". His realist portraits - e.g. of Franz Liszt and Cardinal Haynald - were also born around this time, together with his religions paintings, such as "Christ in front of Pilate", "Golgotha" and later, "Ecce homo". Towards the end of his career he painted two monumental works: "Hungarian Conquest" for the House of Parliament and a fresco entitled "Apotheosis of Renaissance, for the ceiling Kunsthistoriches. Museum in Vienna.

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